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Writer's pictureVomit

Clement

Poems by Daniel Myers


 


death

is like trying to remember the feeling of being in love or trying to think of an elephant - keeping it delicately in mind spins down to the ham-fisted,

a long-winded answer to a forgotten question

I spent a few afternoons with an old roughneck electrician who saved an oil drilling platform from exploding and never got a thank you

We sat among his thrumming magnolia wallpaper and drank instant coffee

thank you thank you thank you


I smell the incense and hear the priests, at the healthy flow of wakes

the red velvet soaked in my nose - the dignified uncles in sweet suits

flailing with loving words at jesus' feet, and drafting an email to god

to get some guidance on what the deal will be for my dog


I don't fear it, but I'm embarrassed when I think of it, like remembering a

crusty plate perched on the sink

still hoping to get the package where I'm eaten alive by ravens, I guess


sex

is someone singing happy birthday to you

while you try to think of an elegant way to thank them


money

is a parlor trick until you're chainsmoking as you wait for the baby to arrive

buying one dollar beers for old spectral friends in the hopes that they'll make you a partner in their new onion-growing venture

so that you can buy medicine for your girlfriend and the leather shoes

you feel you need for the wedding

the first light of morning and the pit of the dark of night

the killer of smalltalk and the louchest of smiles

holier than almighty god and spiced rum


nuance

leads you to sitting across the table from yourself

while the food's still hot, and the conversation is finished

"well, it's a spectrum, it's a balance, it depends on the context"

gulping down your claret to work up the courage to really say you believe in something, like hating australians or enjoying butterscotch

I'm so tired of nuance, but it's not done with me

it's a piety, an ironic scab to avoid looking yourself in the eye


short friendships

in the sticky den of a moving car

with you and i packed to other things tomorrow

we knew each other like a shortcut home

a standout paragraph in your favorite chapter

an andre 3000 verse in the smoothest song

if we had from here to be family

i'm not sure it would smell the same

but in the dry sigh of the potholed afternoon

i for you was enough


emptiness

brushes my hair from my eyes

and kisses your forehead

while your story falls apart under scrutiny

and the rhythm of people devolves into improv

dance hives

runs to nowhere

45 minutes in a pottery store with no purchase in sight

and not having the energy to explain where you're going


productivity

the 10 hours when I try to string it together

the phone calls and memos and passionate pleas

the cajoling and hoping and self-exhortations

the projects and time well spent and the withered afternoons

while nuance sinks its teeth in my shoulder and makes me ask

what I can tell the people I love on my birthday

about how I can help people, why I am good


self-care

means not helping anyone, and being a bad person

resting in numbness while the mongers of obligation

huddle quietly outside your kitchen door

like the silent pagans in limbo

We should whip ourselves into a froth of entanglement

and dependence and disappointment and relief and laughter and injury

because we ourselves really aren't enough


foreignness what's that thing in math when the boomerang line can approach the x axis but never quite touch it


laughter

is a series of splitting and combining cells

bringing two together and pushing others' lawn chairs away

from the campfire

smoke stringed in the giggles and guffaws

more tender than kissing


regret

you couldn't have known

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